artgalleryofontario:

The Blacksmith’s Shop, 1871Cornelius Krieghoff, Canadian, 1815 - 1872Oil on canvasOverall: 56.5 x 92.1 cmGift of Mrs. J.H. Mitchell, Toronto, in memory of her mother, Margaret Lewis Gooderham, 1951© 2014 Art Gallery of Ontario

artgalleryofontario:

The Blacksmith’s Shop, 1871
Cornelius Krieghoff, Canadian, 1815 - 1872
Oil on canvas
Overall: 56.5 x 92.1 cm
Gift of Mrs. J.H. Mitchell, Toronto, in memory of her mother, Margaret Lewis Gooderham, 1951
© 2014 Art Gallery of Ontario

museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info

museumuesum:

Glenn Ligon

Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.

Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.

Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.

Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.

Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.

Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.

museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info
museumuesum:

Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
Zoom Info

museumuesum:

Glenn Ligon

Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.

Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.

Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.

Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.

Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.

Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.